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Invitation aux portes ouvertes

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A painting has another life once it leaves the studio.

Until then, it waits here with me.

Then one day, someone chooses it. It enters a home, lives in a different light, and slowly becomes part of someone else’s story.

I love that moment whe

The painting began with where I chose to stand.

I came here for this opening between the rocks.

From this exact point, the rock takes over almost half the view, the sea slips behind it, and the fort becomes very small in the distance.

So that beca

I like paintings when they become part of a room.

Not simply as decoration, but as a presence.

The light moves. Life happens around them. And eventually, it becomes difficult to remember the wall without them.

Boullig
Oil on canvas · 46x38

Before the painting, there is a viewpoint.

I cycled around Saint-Malo today, looking for the place from which my next painting might begin.

No easel. No sketchbook. Just looking.

Where I stand changes everything: the horizon, the distance, what en

You can see the horizon, but no one can see you.

That was the feeling I wanted to keep in this painting.
Hidden, but not cut off. Alone, but not lonely.
The islands are out there, yet for a moment it almost feels as though you’re standing on o

My new studio in Saint-Malo is still finding its shape: books stacked on the floor, canvases leaning against the fireplace, boxes waiting to be unpacked and Arsène has already claimed his place.

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